This seems like an excellent way to jump into one of the new major focuses of this blog: poetry in popular culture. Though there's certainly nothing "lowbrow" about Call the Midwife (I leave the closed captions on to catch every inscrutable turn of phrase, from British slang to the spelling of "Mother Jesu Emmanuel," "Akela," and "Babycham") but to me, the intersection of poetry with television, even verbose British period pieces, is fascinating because of one's mass appeal and the other's undeniably niche status.
And yet, even writing that phrase feels untrue, which is what has spurred me to, at last, revamp this blog and share the fruits of my longstanding interest in the intersection of poetry with popular culture...
CAITLIN COWAN has been getting way too excited about setting poetry up on a blind date with popular culture since the early 1990s. This is her website.